Why use poetic language

End Rhyme: Rhyme that occurs at the ends of verse lines. Iambic Pentameter: A line of poetry that is ten syllables in length. The syllables follow a pattern in which an unstressed syllable is followed by a stressed one. A line of iambic pentameter bounces gently along soft-hard-soft-hard-soft-hard-soft-hard-softhard. Internal Rhyme: When two or more words rhyme within the same line of poetry.

Refrain: The chorus of a ballad, or a repeating set of words or lines, is the refrain of a poem. Refrains add to the musical quality of a poem and make them more song-like.

This is interesting because the ancestral origin of poetry was song. Rhyme: When sounds match at the end of lines of poetry, they rhyme technically, it is end-rhyme.

Rhyme Scheme: The pattern of rhyme in a poem, indicated with letters of the alphabet. When you run out of one rhyme sound, you start with the next letter of the alphabet. For example, the following is an example of an aabb rhyme scheme star, are, high, sky : Twinkle, twinkle, little star How I wonder what you are Up above the world so high Like a diamond in the sky. Rhythm: A pattern of sound in a poem; it may be a regular or irregular pattern.

Rhythm is the musical beat of the poem, and some poems are more musical than others. A glossary of poetic terms from the Poetry Foundation. Allusion: A reference in one piece of literature to something from another piece of literature.

Apostrophe: Addressing an absent person as if they were present, the dead as if they were living, and inanimate objects as if they were human Ex. Connotation: The unspoken, unwritten series of associations made with a particular word. Denotation: The literal meaning of the word that a person would find in the dictionary.

Hyperbole: A deliberate exaggeration to make a point. I am hungry enough to eat the fridge is a hyperbole. This collection of appeals to the five senses is called the imagery of the poem. Literal language: The literal meaning of the poem, which ignores imagery, symbolism, figurative language and any imagination on the part of the poet or the reader. Literal language is the opposite of figurative language. Mood: The emotion of the poem. The atmosphere. The predominant feeling created by or in the poem, usually through word choice or description.

The feelings created by the poem in the reader; mood is best discovered through careful consideration of the images presented by the poem, and thinking about what feelings those images prompt. Mood and tone are not the same. Oxymoron: An oxymoron is a pair of single word opposites placed side by side for dramatic effect. A contradiction in terms. What is poetic language? Poetic language also called poetic devices are the tools of of sound or meaning that a poet can use to make the poem more surprising, vivid, complex, or interesting.

Examples of these tools include alliteration, onomatopoeia, imagery, metaphors and similes, and allusion. Elements: Poetry. These elements may include, voice, diction, imagery, figures of speech, symbolism and allegory, syntax, sound, rhythm and meter, and structure. A unique feature is something that makes your company stand out. What do you provide that differs from your competitors and appeals to your target market?

A drama is a piece of writing, which is artistically presented with dialogues. A drama is attractive, impactful and real as it presents characters along with a natural and credible aspects.

Remember, poems want you not just to understand but to experience the world in new ways. But we are so accustomed to seeing things however we see them that the work of a poet is quite difficult. We resist without even knowing we are resisting.

And we may often fail to see figurative language in a poem for what it is. And even the most experienced readers of poems argue sometimes about what counts as a metaphor or a symbol in a poem and about what a particular figure means. This is something to love about poetry. You get to enter and participate in an ongoing conversation.

But to do that, you need to ground yourself in the figures. You need to be able to name and point to them. You might wonder how it is that experienced readers of poems can argue about what counts as a particular figure in a particular poem.

Again, according to the standard definitions, figurative language is language that states its meaning indirectly. It represents one thing by means of another thing.

The president is called the president, and the ocean is called the ocean. But that already creates a problem. In one sense, all language is figurative. It stands for or represents the idea of the ocean. And representing one thing by another thing is, by definition, what figurative language does. So, there is no such thing as an absolutely non-figurative language. This means that you can never absolutely guarantee that any statement, no matter how literal it seems, is not also figurative.

For it to be literal it has to describe an event that actually happened. He thought he was going up in the company. Instead, he fell down the stairs. So the difference between literal and figurative language has nothing to do with the words themselves.

It has to do entirely with the way the words are used or understood in a specific context. The same sentence which in one context, or read one way, would be literal, in another context or read another way would be figurative.

This may not be true either. This is because in a poem the thing we are directing our attention at is an emotion or an experience rather than a meaning. Let us say that example 1 is literal, i. In that case the statement is referentially true, but it carries little emotional content; example 2 would then be figurative. You will notice that it also captures somewhat more of the case. If true, it is more accurate than example 1 because its figure reproduces more of the emotional quality of the sadness than any purely literal statement could.

Example 3 is the most emotionally effective. It is the most effective because it is both literal and figurative. Turning away and looking out the window are actions that suggest more meaning than the actions alone convey.

And the world did not really become blurry. Really, she started to cry. We can say then that we need both figurative and literal language because they do different jobs. A writer, whether she is a writer of prose or poetry, fiction or nonfiction, will choose the method of expression according to the job that needs to be done. They are: metaphor, simile, metonymy, synecdoche, hyperbole, litotes, irony, apostrophe, symbol, personification.

Metaphor— a figure of speech in which one thing which usually is easy to understand stands for another thing which is often more abstract. In the first case the metaphor has an obvious, simple relationship to what it refers to. We quickly infer upon reading the poem that the book is compared metaphorically to a child.